Houldsworth of Cheltenham (HOC)
HOC – A Heritage Polo Brand Launched with a 2,000-Strong Waitlist
Published 30 April 2026
Summary
Houldsworth of Cheltenham came to Bhavna Rishi after spending a year and thousands with a brand-building company that delivered nothing saleable. Within three months the embroidered polo shirt was technically resolved, produced in three runs with a vetted manufacturer, and launched to a 2,000-strong waitlist. HOC now has an ongoing production partner and is scaling into menswear.
Client: Matt & Elisha, founders of Houldsworth of Cheltenham - a luxury racehorse designer clothing brand in the heart of the Cotswolds. Project Type: Product development, manufacturing & launch rescue Stage: Pre-launch
The vision
Matt & Elisha came to me with a clear and beautiful vision: a luxury embroidered polo shirt worthy of the Cotswolds heritage they were building their brand around. Houldsworth of Cheltenham was not just a business venture. Matt, the father, was building a legacy for Elisha, his son. The brand had to be right.
They came to me through a previous client referral, with a launch date to hit and a product that deserved to be made properly. The brief was specific: a signature embroidered polo that felt genuinely luxurious, not promotional, not costume. Something that honoured the brand and could stand confidently alongside the heritage it represented.
What We Did
Diagnosis before action. The first thing I did was review the existing tech spec to understand exactly where the work had broken down. It wasn’t wrong so much as it was thin - missing the level of detail a factory actually needs to deliver a luxury product. I tightened it: precise fabric specification, embroidery sizing, thread count, stitch density, and placement guidance written so a factory floor could execute it without guesswork.
Solving the polo, technically. Embroidering fine detail onto a knit polo is harder than it looks. Knit stretches under the embroidery foot, which means a straight line on the design board doesn’t stay straight on the finished garment. We had to solve for stitch density that wouldn’t pucker the fabric, placement that accounted for stretch, and a finish that read as luxury rather than promotional-wear. Mid-project the curved line on the motif was rendering slightly soft - not bad, but not the crispness Matt & Elisha deserved. I made the call to increase the embroidery size by 2mm, which was enough to let the curve come out clean and the line come out sharp. A small adjustment most people wouldn’t notice; a completely different result on the rail.
Planning production at the right scale. Getting the quantities right is one of the most important early decisions a brand makes. We had an honest conversation about what was achievable and what would work commercially, and landed on a phased approach: three runs of 100 pieces with a factory I’ve worked with for over twenty years. Real product, real margin, and a manufacturer who took the brand as seriously as Matt & Elisha did.
Match-making, not factory-shopping. My principle on manufacturing is simple - understand the client’s brief deeply, then match it to a vetted manufacturer who can hit that specific level of quality. I’m not looking for the cheapest factory; I’m looking for the right one. My vetting comes down to three things I’ve learned to read over the years: communication (do they reply clearly when something goes wrong, not just when things are easy?), credibility (track record, certifications, what I’ve seen with my own eyes on factory visits), and commitment (will they treat a 100-piece run with the same care as a 10,000-piece one?).
Coordinating through to delivery. I physically oversaw production in India. From there it was tight project management - keeping factory, embroidery house, trims, and timelines aligned all the way through to a finished launch.
The Result
Three months from first conversation to finished product. Samples in hand within one month, full production complete two months after that. The launch built a waitlist of 2,000 sign-ups and sold through successfully - giving Matt & Elisha the foundation to grow the brand organically rather than chase volume. Houldsworth of Cheltenham has now got an ongoing trusted production partner to scale their brand.
See the process in action
Watch Matt & Elisha share the full HOC polo journey - from concept to finished product.
Bhavna is a delight to work with - she's trustworthy and carries great integrity, which is a rare commodity in this day and age. We are looking forward to the future with Bhavna as we build our brand and our working relationship with her. After an initial chat six months ago, she helped to restore our hope and focus, and promised to deliver - which she did. We had our first samples within one month and finished products two months later. We'll be launching in a couple of months - watch this space.
Written by Bhavna Rishi, fashion brand consultant and production specialist with 20+ years' experience producing licensed merchandise for the V&A Museum, British Museum, Royal Collection Trust, National Museums Scotland, Iconic Images, Fenwick, Chatsworth House, Orvis, and Limewood Hotel. Founder of The BuildTheDreamBrand Method.
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